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悲劇的誕生The Birth Of Tragedy 第111期:醉境世界觀永垂不朽

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The striving of the spirit of music toward visual and mythical objectification, which increases from the beginnings of lyric poetry up to Attic tragedy, suddenly breaks off after attaining a luxuriant development, and disappears, as it were, from the surface of Hellenic art; while the Dionysian world view born of this striving lives on in the mysteries and, in its strangest metamorphoses and debasements, does not cease to attract serious natures. Will it not some day rise once again out of its mystic depths as art?

padding-bottom: 75%;">悲劇的誕生The Birth Of Tragedy 第111期:醉境世界觀永垂不朽
音樂精神向象徵化和神話化方面的努力,自從抒情詩發生以至阿提克悲劇時代,不斷增強,一旦達到盛極一時,便突然中斷,彷彿從希臘藝術領域上消聲匿跡;但同時這種努力所產生的醉境世界觀卻在祕儀中永垂不朽,而且雖屢經變革,每況愈下,卻還能夠吸引嚴肅的人們。它會不會終有一天再從這神祕的深淵升起來成爲一種藝術呢?

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